Six years ago, Prince Harry and Meghan Markle left royal life with something few people possess: worldwide fame, enormous commercial opportunities and the freedom to build a completely independent future.
Now they are reportedly heading back to Britain.

It would be easy to describe that journey as a simple reversal of Megxit. The reality is more complicated. Harry and Meghan are not returning to become working royals again, nor are they completely abandoning America. Instead, their move comes after a period in which some of their biggest post-royal projects became global successes while many others struggled to reproduce that early attention.
According to a Daily Mail report published on August 20, 2026, Harry and Meghan are expected to return to Britain for an “extended period,” with Archie, seven, and Lilibet, five, believed to have been enrolled at a British school. The family could remain in Britain while the children complete their education.

To understand why the timing is significant, it is worth remembering what America originally represented.
When the Sussexes arrived in California in 2020, they had a reported $100 million Netflix agreement and a $20 million Spotify contract. Archewell Productions was intended to establish them as major entertainment players, while Meghan later pursued ambitions in the lifestyle industry. They settled into a $15 million Montecito mansion surrounded by celebrities and wealthy neighbours.

Initially, their post-royal strategy produced enormous attention.
The 2021 Oprah Winfrey interview became a global television event. Meghan’s children’s book The Bench topped the New York Times children’s picture-book bestseller list, despite receiving harsh reviews from some critics. Netflix’s six-part Harry & Meghan documentary became a ratings success in 2022.
Then came Harry’s memoir Spare in January 2023. Filled with revelations about his relationships with Prince William, King Charles and life inside the monarchy, it sold more than six million copies worldwide.
The difficulty came afterward.

Projects that were not primarily about Harry and Meghan themselves attracted considerably less attention. Live to Lead made little cultural impact, while Heart of Invictus, focusing on competitors preparing for the Invictus Games, failed to generate anything close to the attention surrounding Harry & Meghan.
Polo, Harry and Meghan’s five-part series about the sport, failed to reach Netflix’s global top ten and received a 25 percent critics’ score on Rotten Tomatoes. Meanwhile, Netflix scrapped the planned animated children’s series Pearl in 2022, and an adaptation of Carley Fortune’s Meet Me at the Lake did not materialize during the original Netflix agreement.
Spotify proved another major setback.
Meghan’s Archetypes ran for 12 full episodes in 2022, and in June 2023 Spotify and Archewell Audio announced that they had “mutually agreed to part ways.” Spotify executive Bill Simmons later publicly attacked the couple, calling them “f***ing grifters” and mocking his experience trying to develop a podcast idea with Harry.
Meghan did not stop trying to build businesses outside royal life.
She returned to podcasting with Confessions of a Female Founder through Lemonada Media and attempted to establish herself in the lifestyle market. American Riviera Orchard was announced in March 2024 before eventually becoming As Ever in February 2025.
As Ever subsequently released preserves, teas, flower sprinkles and other lifestyle products, with some releases selling out. But the business has not yet developed into the kind of major lifestyle empire once envisioned by Meghan’s most enthusiastic supporters.
Other ventures followed a similar pattern.
Meghan’s 40×40 initiative, launched with celebrity support in 2021, eventually disappeared from public view. Netflix lifestyle series With Love, Meghan lasted two seasons but was not renewed for a third.
Then came perhaps the most awkward commercial comparison.
Cookie Queens, executive produced by Harry and Meghan through Archewell Productions, reportedly earned approximately $354,000 from 446 theatres during its opening weekend. During the same period, CatVideoFest 2026 — essentially 70 minutes of viral cat footage — earned approximately $569,000 while playing in only 255 theatres.
Royal commentator Kinsey Schofield summarized the problem by arguing that Harry and Meghan remain highly capable of generating headlines, but “headlines and paying customers are two very different things.”
That distinction may be central to understanding where the Sussexes find themselves today.
They remain internationally famous. Meghan continues operating As Ever, Archewell Productions remains active, and their Montecito mansion will reportedly be retained, leaving open the possibility of continued American work. The couple also have a residence in Portugal.
Their return therefore does not prove that they are abandoning America.
Nor does it mean they are returning to their former royal positions.
The family is expected to establish itself in a private, non-royal residence. Buckingham Palace’s position remains unchanged: Harry and Meghan will continue as private individuals and non-working members of the Royal Family. Sources have also insisted that the Sussexes are not plotting a return to the royal fold.
There is, however, another explanation for why Britain may suddenly look more attractive to Harry.
His recent reunion with King Charles reportedly left him feeling “buoyed,” “very happy” and “really energized.” Sources close to Harry said afterward: “He wants to spend more time in the UK with his family.”
Now he will have that opportunity.
Charles, who reportedly learned of Harry’s plans only shortly before the news emerged, is said to welcome the opportunity to spend more private time with his younger son and grandchildren.
Perhaps that is the real significance of this full-circle moment.
In 2020, California represented freedom, financial independence and the possibility of building a global empire without palace restrictions. Six years later, some of that promise survives, but the extraordinary commercial momentum surrounding Harry and Meghan’s arrival has unquestionably changed.
Britain, meanwhile, offers Harry something Hollywood never could: home, family history and proximity to his father.
So their return should not automatically be called an admission of failure. The facts support a more interesting conclusion.
Harry and Meghan are returning to the country they once felt compelled to leave — but without returning to the royal life they rejected.
And perhaps the biggest question is no longer whether their American dream failed, but whether Harry has discovered that independence did not require leaving Britain behind forever.